Our Stuffies

The subterranean fungus takes the dead weight of the forest into itself, breaking molecular bonds as it feeds itself and gifts its surplus. It is neither beginning nor end, but the absence of both. Facilitator of chemical disassembly and reorganization.  

With Our Stuffies, I use Artbreeder, an artificial intelligence image generator, to extract imagery that resembles stuffed animals. The neural network receives inputs of thousands of images from vast online archives, acting as a digital decomposer of visual data. But where the organic decomposer is bound by the rules of chemistry, the AI decomposer practices alchemy. Its science coincides with fantasy and myth. Its processes are fluid, not rigid. This looseness makes room for personal participation in the generation of images. Subtle tweaking of individual inputs allows me to coax out a character that possesses a fragmented familiarity, which I then render in graphite. Much like a child developing lore to dictate the world of their stuffed animals, I facilitate environments for these collaboratively produced characters to play. The sculptural form of their environment extends the rhizomatic structure from which they were birthed, suspended in a fluid state between new growth and decomposition. Interdependent and simultaneous, these seemingly binary actions are written into each other. 

This dense web of interlocking, morphing, changing cycles (both organic and digital) is so complex and vast that I can only guide my understanding by treating it mythologically. The comparison to fungal decomposition is an allegory, a tool of understanding that preserves space for enchantment and mystery. 

Our Stuffies is a playdate between Artbreeder and me. By treating the neural network as a collaborator, I create a hopeful myth for the future in which AI plays the essential role of the decomposer in online cultural ecosystems—breaking down visual materials to make their contents available for the creation of a new, emergent fantasy.  

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