Textile artwork featuring embroidery and loose threads, symbolizing the ephemeral nature of memory and history. The image shows unraveling stitches, suggesting the impermanence of recorded moments and emotion within the archive of the fabric.

here, now

Katie Francis

Part 1:  

i pulled at the threads 

hanging off the tapestry of my life –  

the ones i was told never to touch. 

it unraveled so easily 
that i just kept pulling, 

mesmerized by the loosening  
of what i once thought ironclad. 

stitch 

by stitch 

by stitch, 

everything  

came  

apart. 

i imagined 

that undoing  

an entire existence 

would have been more difficult.  

// 

the blank and mutilated tapestry looms,  
the needle in my own hand  
for the very first time. 

i traded all i held precious  
for this power to pierce,  
rather than to be pierced  
by the hand of another,  

with what was never mine. 

the threads i pulled lay formless,  

surrounding me on all sides –  

too many strands to track. 

where does one end, 

the other begin? 

// 

i don’t know how to sew, 

i don’t even know how to thread this needle,  

i stab my fingers each time i start.  

i keep stitching and unraveling 
both the threads and who i am.  

slowly i learn: 

some stitches hold  

strong and steady; 

others  

knot, tangle,  

and fray.  

this work keeps teaching me: 

that which  

holds together, 

also unravels.  

both, always. 

//  

i keep sewing 

memories,  

connections, 

survival – each woven together 

like strand into feeling. 

all that cannot be held  

sewn into a tangible remembering –  an archive of evidence  

everything that brought me  

to here, now

Part Two:   

 here, now is an attempt to capture what is continually fading away – giving a tangible form to the impalpable, impermanent, and abstract forces that shape our lives: emotions, memories, silences, connections, traumas, fragments of embodied experiences. These textile hangings reimagine the act of archiving through the actualization of the ephemeral – using thread to map moments that refuse direct representation and are often excluded from traditional forms of documentation.   

Using the metaphorical and material properties of thread, my work transforms the process of unraveling and remaking into a visual language that emphasizes survival and queer becoming. Through hand embroidery, free-motion machine stitching, and sewing on sheer, patchworked fabrics, I approach my materials as collaborators rather than tools – establishing intuition, undoing, and imperfection as integral to meaning-making in both art and life.  

here, now ultimately proposes that archiving the ephemeral is not a contradiction but a necessary act: a way of remembering otherwise, of understanding all that makes us, and of envisioning futures beyond dominant narratives. 

Textile artwork featuring embroidery and loose threads, symbolizing the ephemeral nature of memory and history. The image shows unraveling stitches, suggesting the impermanence of recorded moments and emotion within the archive of the fabric.
Textile artwork featuring embroidery and loose threads, symbolizing the ephemeral nature of memory and history. The image shows unraveling stitches, suggesting the impermanence of recorded moments and emotion within the archive of the fabric.
Textile artwork featuring embroidery and loose threads, symbolizing the ephemeral nature of memory and history. The image shows unraveling stitches, suggesting the impermanence of recorded moments and emotion within the archive of the fabric.

Contact me

katiefranciskara@gmail.com

Instagram: @katiefrancis.art